It is hard to tell if abstract painting actually got worse [after the 1960s], if it merely stagnated, or if it simply looked bad in comparison to the hopes its own accomplishments had raised. —Frank ...

Note the sarcasm of a New Yorker magazine cartoon from the early 1950s: Two seemingly well-to-do gentlemen are viewing an abstract painting when one says snobbishly to the other, “His spatter is ...

For Rashmi, who is an ardent nature lover creating a series of works based on natural elements is like an obvious extension of her being. Presently, based in Hyderabad, Rashmi is a post graduate in ...

From shoes to New Yorker covers, the power of a strong visual aesthetic is at the center of this beautiful documentary series. Despite its title, “Abstract” is relatively easy to grasp. The upcoming ...

Amir H. Fallah's second solo exhibition of paintings, Make It Believe, at The Third Line, humorously investigates the complicated nature of memory and monument. In his latest collection, he continues ...